Jan 06

Dear KMart: Take my music!

I had the unique pleasure of visiting our local KMart twice today: once for a small TV for my office, and again for a 6′ ladder. Both times that I visited the store, I heard either Paula Abdul or Debbie Gibson on the store radio system.

In today’s world, this is simply unacceptable.

Don’t get me wrong, I liked Paula Abdul when I was in fourth grade. We all did. We all wanted to the be the “Cold-Hearted Snake” that she sung/danced about. But those times are gone, and it bothers me when I see that sixty-something guy tapping his cart handle to “Forever Your Girl.”

Therefore, I offer KMart my entire music collection. If someone from Corporate will contact me, I’ll be happy to filter out the explicit albums, and provide you with several DVD’s full of music…so that we patrons don’t have to endure a flashback without booze and karaoke.

I can be reached via this website; please click Contact - in the top menu.

I look forward to hearing from you.

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Jan 04

A Blog Post for Joel Stein

Dear Joel -

I read your January 2nd article, wherein you claim to be uninterested in the feedback of your readership. Its title, “Have something to say? I don’t care” was quite catchy; it was catchy enough that it ended up on MetaFilter, and subsequently found its way into my RSS reader.

Congratulations. Your article’s a hit. I mean, it’s not a hit with me, but it’s a hit. I’m sure there are leftists across the nation toasting your good favor because you’ve thrown quips like

Sending an e-mail to that address is about as useful as sending your study group report about Iraq to the president.

into the mix.

Given that you don’t care for e-mail, I’ll just outline my perceptions here.

  • You’ve got an impressive vocabulary, and your prose-styled editorial is, more or less, grammatically accurate.
  • You have a tendency to write an awful lot of words, without having actually said anything of substance (see: Jewish rant articles, Sean Hannity jabs, etc.).
  • You’re more or less a loser, who’s got an admirable writing ability.
  • You compensate for said loserdome through an over-the-top “I don’t give a fuck” facade.
  • Your Photoshop skills are wanting.
  • The sum of your horseshit is greater than its individual parts: you’re pretty entertaining.

Recognizing that this entry will show up in your RSS reader, but that you won’t waste your time on “some blog,” this post is my stripped down version of a PhD dissertation about you (PS – speaking about one’s self in the third person is a privilege reserved for Snoop Dogg).

Thanks for the entertaining rant, Senor Stein. I think you’ve probably found your niche – writing op-ed articles for the LA Times.

After all, Princeton (the University) probably prefers that their instructors didn’t graduate from Stanford; I’m guessing they also expect their “humor writing class” instructors to have an ability to write with humor. That being said, if you find yourself able to adopt some conservative political views, the LA Times would probably find THEM humorous and give you a desk.

If there’s one message that I think the youth of today need, it came from one of your interviews:

I watched an endless amount of TV growing up, but I also read a lot. The trick is to be very unpopular and not waste your time on “friends.”

Keep ‘em coming.

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Jan 02

Daughtry: I don’t care what you say, this rocks

5 out of 5 Turnips

I know it’s not fashionable to like musicians from American Idol. I also know that my contemporaries would scold me for having playlists that contain Dropkick Murphys, Escape The Fate, Pinback and Daughtry…

..but I just don’t care. Chris Daughtry’s freshman effort after being prematurely booted from last season’s Idol is fantastic.

The internet’s been abuzz with accusations of Daughtry being a Nickelback/3 Doors Down clone, but that’s complete hogwash. As a self-admitted die-hard Nickelback fan, I can say that there are “moments” where Chris and Chad sound alike…but they’re few and far between. And while I like 3 Doors Down, they don’t compare: every song on the Daughtry album is hot.

Most impressive for me is what Chris Daughtry didn’t do with this album: sell out. Not being one to sling around the term “sell out” when a band becomes successful, I’m unable to restrain my usage of the term when referring to Bo Bice, Gwen Stefani and (sadly) Hoobastank. All three of them used to rock my socks (granted, Bo did it on Idol…but he was cool then), and all three of them are now owners of some seriously shitty radio-written albums. Daughtry didn’t do any of that jazz. He sings his ass off with four dudes who are clearly into rock.

I love it, and here are my highlights:

  • “There and Back Again” rocks my ass. The hook Chris busts out in the chorus sits just behind my frontal lobe all day long.
  • “Breakdown” beautifully displays why he should have been last year’s American Idol. His falsetto in the first chorus is top notch.
  • Prediction: “Home” will be the parting song on American Idol in future seasons: I’m goin’ home, to the place where I belong; where your love has always been enough for me. I’m runnin’ from, I think you got me all wrong; I don’t regret the life you chose for me. These places and these faces are growin’ old…I’m goin’ home.
  • Rolling Stone says his lyrics are too sappy, and they lambast the album on account of it. The lyrics are sappy, but you forget to notice that as you’re slamming the steering wheel and belting out on I15 south.

Without question, Daughtry has become the most-played album in my house. My wife, my daughter, my dogs, and our Christmas tree all love (or, loved – in the case of the tree) this album. Go get it.

Update: Check this video for some footage of Chris talking about the very sell out/success issue from above.

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